Theatre in Wales

Theatre, dance and performance reviews

The One That Runs and Runs

Grav

Torch Theatre , Hope Theatre, Islington , March-26-19
Grav by Torch Theatre Peter Doran, Owen Thomas and Gareth John Bale have taken theatre to new places, places in recent years that no others have reached. The three names are not placed in any order of pre-eminence. It could equally have been Thomas-Bale-Doran; without the author there is not anything else. But then it is the actor who does the most work so Bale-Thomas-Doran is just as good. And it was Bale who lit the spark. “I'm hoping to do a show about Ray Gravell” he said. That was back in 2011.

Many others have helped “Grav” go from tour to tour, to Edinburgh, to a television documentary and to cross the Atlantic. The sound design is crucial. The technical team for the latest tour comprises Andrew Sturley, Jerome Davies, Simon Evans and Alex Davies. So too the set- the original by Frankie Bradshaw- is essential in grounding the performance. It is recreated in London by Sam Wordsworth and Joe Jones. Phoebe Tonkin and Louise Worrall are the scenic artists.

The reviews have been done. Seeing it four years on, the review of 17th March 2015 below feels right. But it underscores the emotional range, the ascent to sheer exultation, the intricacy of Owen Thomas' structuring, the richness of detail. This detail has the player of four hundred-plus games bemused that the mud is taken from his encrusted boots for a souvenir. When he meets the hospital consultant who resembles John Goodman, fresh in the memory as Fred Flintstone, it is entirely good sense that he be greeted with “yabba dabba doo”.

Gareth John Bale takes a rest from “Grav” after its one hundred and eighth performance. This tour has taken in Brecon, Pontardawe, Cardiff, Port Talbot, Carmarthen, Aberystwyth, Ystradgynlais, Newport, Felinfach and London. New York was caught in the television documentary. Peter Doran captures it neatly as “Grav - the show that refuses to go away!”

Theatre with public subsidy legitimises itself by reaching out. It does not have to happen every time but it has to happen sometimes. The audience numbers are still being crunched but they have jumped the 10,000 barrier. The first tour in 2015 played 17 venues. Over half the audience members were first time-attenders at these theatres. A detail from the first performance at Theatr Felinfach was not mentioned in the review of 2015. It happened to be a Friday and on a Friday the queues are substantial at the local Siop Ysglodion. On that particular Friday the usual serving faces were absent. The reason was made clear forty minutes later; they were in the theatre seats in front of me. Peter Doran: “In my forty years of working in the theatre I’ve never worked on a show with such an appeal across the board.”

“Grav” has been not just to theatres but to churches and schools. It has played Mynyddygarreg and the original Rugby in England. But it also had a performance on 18th February this year that Owen Thomas described as the proudest night of his playwriting career. It took place at the Principality Stadium to an audience that included Warren Gatland, Alun Wyn Jones, Shaun Edwards, Neil Jenkins, Robin McBride, Leigh Halfpenny, Gareth Davies, George North and Ken Owens. The emotional impact was profound, the performance inducing tears among the watchers.

Last words to director and author. Back in 2011 Peter Doran was told of the idea and the response was instantaneous. “If you need a director or producer or partner or theatre- I'm your man.”Owen Thomas on his script reaching its centenary performance: “I continue to be amazed at the ongoing journey of this play. Here’s to the next 100!”

Reviewed by: Adam Somerset

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