Ralf Richardt Strøbech (HOTEL PRO FORMA / LOOP GROUP): FUTURE MEMORIES / CHINESE WHISPERS - A DIRECTORS' FORUM LABORATORY |
![]() "According to the theory for which Swedish neurobiologist David Ingvar coined the clever term "future memory", the parietal cortex is capable of producing internal models of movements to be performed, prior to any processing in the premotor and motor cortexes. According to this theory, the brain is constantly simulating movements, only some of which are eventually externalised. This theory could provide a conceptual foundation for the mental training done by athletes and musicians, as well as for re-education through motor imagery. Besides the frontal cortex, the posterior parietal cortex clearly plays a role in voluntary movements, by assessing the context in which they are being made." Bruno Dubuc, Canadian Institutes of Neuroscience, Mental Health, and Addiction "In everyday life, we perform actions without giving it much thought. We are wired for contextual analysis, and for transforming this analysis into valid action. Through different mapping strategies, we work on building a catalogue of actions derived from everyday life, from the immediate context, from memory, and from imagination. This catalogue of ordinary actions is then translated into something out of the ordinary by a series of transformations. This could include copying, repeating, transferring, slowing, speeding, or reversing, but the possibilities are virtually endless. The material that we are looking for should maintain the recognisability of the ordinary, while also possessing the evocative qualities of the extraordinary. Over the course of the laboratory this material should grow organically, becoming more complex, layered and textured while still allowing for identification and emotional response in the viewer. It is important for me that it is not taken all the way into abstraction." Ralf Richardt Strøbech Ralf Richardt Strøbech was educated at the Royal Academy of Fine Arts School of Architecture as well as in music and film studies at Copenhagen University. From these platforms he works at investigating the cultural mechanisms of his surroundings and to express them in the field between architecture, music and image. As an architect, director and set designer he works with developing concepts for performances, exhibitions and architectural projects as well as giving lectures and workshops. From 2004 to January 2010 he worked as Artistic Director of the Danish performance company Hotel Pro Forma. Hotel Pro Forma displaces the notion of theatre into new territories that lie between art and non-art, theatre and non-theatre, between the physical and the metaphysical expression. Performances occupy a space between construction and sensation, consciousness and intuition, concrete and abstract. Hotel Pro Forma moves across the genres of theatre, opera, visual arts and concert. Every production is a new experiment and contains a double staging: partly of its contents and the space, and partly of the notion of theatre itself. Since January 2010 he has been working independently with his company Loop group. http://www.hotelproforma.dk/default.asp?ver=uk The Centre for Performance Research has invited some of the most exciting and diverse Wales based and international theatre directors to Aberystwyth for an intensive participatory project that offers a rare opportunity for both experienced and emerging directors to gather and share the methods, approaches and skills of professional directing practice via laboratories and presentations, demonstrations and dialogue. Guest Directors Include: Veenapani Chawla (Adishakti Centre, India), Das Beckwerk (Denmark), Jaroslaw Fret (Teatr ZAR, Poland), Richard Gregory (Quarantine, UK), Bill Hamblett (Small World Theatre, Wales), Natalie Hennedige (Cake Theatre, Singapore), Adrian Jackson (Cardboard Citizens, UK),Ruth Kanner (Ruth Kanner Theatre Group, Israel), Anuradha Kapur (National School of Drama, India), Julian Maynard Smith (Station House Opera, UK), John McGrath (National Theatre of Wales), Philip McKenzie (Sherman Theatre Cymru), Anders Paulin (Sweden), Mike Pearson (Pearson/Brookes, Wales), Ralf Richardt Strøbech (Hotel Pro Forma/ Loop Group, Denmark), Tore Vagn Lid (Transiteatret-Bergen, Norway). For more information or to book a place at the Directors' Forum please contact CPR The Centre for Performance Research, Parry Williams Building , Penglais Campus, Aberystwyth, Wales , SY23 3AJEmail: cprwww@aber.ac.uk Phone: +44 (0) 1970 622 133 Web: www.thecpr.org.uk |
web site: www.thecpr.org.uk |
e-mail: cprwww@aber.ac.uk |
Saturday, April 3, 2010![]() |
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