Reviews
We regularly commission our team of experienced writers to write exclusive reviews of Welsh productions and performances by outside companies in Wales for the web site, as well as reproducing items that have appeared in other sources. We also review selected productions in the rest of the UK where they have a relevance to the theatre sector in Wales
reviews 26 to 50 of 4722 |
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Terry Victor- “The Sort of Show The Edinburgh Fringe Was Invented For” ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Leila Navabi- "Sensationally Funny Observations and Turns"
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Yasemin Özdemir at Edinburgh Fringe
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The Sherman- “A Cracking Show, Full of Vim and Vigour"
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Joyce McMillan- “Perfectly-crafted, Deeply Intelligent, Supremely Witty"
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“Arts Council...An Undeniably Courageous Approach"
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"Come and Meet Those Dancing Feet"- a Five-Star Dazzler of a Show
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Brassed Off- "I absolutely loved it" ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Brassed Off- “There Will Still Be Music”
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Absorbing Addition to 20th Century Gay Theatre Record
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Writer Award for Connor Allen & Other Events
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“We have the talent to do it. We don't have the conviction, the nerve and the leadership"
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“Tell them to shove off, or threaten to resign. That is the way it is supposed to be.” ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Pijin & The Cost of Living: National Companies Poorly Received
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Love and Care and a Whole Lot More
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Views from the Stage & in the Rehearsal Studio ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Consummate Finale of Spring Tour
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“Working for an Arts Council Requires a Masochistic Streak”
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Inspired Production Choice For Venue Finale
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"Sophie Melville is Absolutely Extraordinary"
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Theatr na nÓg, Fluellen, Wales Millennium Centre, Theatr Clwyd, Tic Toc, National Theatre of Wales
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“Sanctity of the Arm's Length Principle Was the Bugbear" ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
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Chris Mullin- "The Best of Guides to How We Were"
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“Cardiff Is In For a Treat”
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Fabulously Feline François ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |