Swaggering, larger-than-life and confident |
Theatr na n'Og |
Theatr na n'Og- Cyrano , Aberystwyth Arts Centre , November 28, 2008 |
![]() First, “Cyrano” looks superb. By coincidence Peter Flannery’s “The Devil’s Whore”, showing twice weekly on Channel 4 , is set in the same period. Theatr Na n’Og’s ostentatious great boots, hats and swordplay are just as persuasive. The production also has at its heart a swaggering, larger-than-life, confident performance in Rob Lane’s Cyrano, a contradictory Romantic creation encompassing violence, tenderness and magnanimity. Just to reinforce his out-sizedness director Geinor Style has him stride through an audience row at the beginning of Act two. The second reason for this production to be cherished is the music of Dyfan Jones. Last month his elegiac Tryweryn theme was to be heard in “Drowned Out”. “Cyrano” opens with a solo beautifully sung by Eleanor Howell as the unapproachable Roxanne, swathed in wonderful velvet. The long battle scene in Act two is underpinned by a masterful sound score. (Although I could have done with a programme note on who was fighting who, and for what.) The weakness in “Cyrano” is the source text. Although of course interesting to see Rostand’s stage hit of 1897 contains elements that do not travel well. Structurally, Act one has a brio and verve, taking in a scarily realistic duel, that the second act just can not match. In particular, as with patient Griselda, love as self-sacrifice is not a theme for our age. (It crops up with regularity in the problem pages where it gets clobbered by writers like Sally Brampton as somewhere between affectation and self-delusion.) But, script apart this is a strong ensemble production. And a next challenge for Theatre Na n'Og? It is a long time since the princes of the Spanish Golden Age were seen on stage. On the evidence of this production Calderon and de la Vega are well within their grasp. |
Reviewed by: Adam Somerset |
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