Theatre in Wales

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At the Torch

Torch Theatre, Milford Haven- Flowers from Tunisia , Torch Theatre, Milford Haven , May 14, 2011
At the Torch by Torch Theatre, Milford Haven- Flowers from Tunisia One could be excused in expecting that a drama with dementia as its main theme might be lacking in humour and entertainment, but this is certainly not so with Flowers from Tunisia. Author Laurence Allan has created a finely observed story in which anguish is balanced with humour, intolerance softened by gentleness. It is a story that, at sometime, might be recognised in any loving family.

Christine Pritchard’s wonderful portrayal of Reah is the centrepiece of a drama in which we witness a woman on the cusp of an encroaching private world, normal to her, but inaccessible to her loved ones. She is the rock that her war damaged soldier son Keith so badly needs, and Richard Corgan is so convincing as the humorous, tolerant, angry and frustrated son, struggling to hold together this crumbling rock that is his mother, while dealing with his own inner turmoil.

Despite her vivacity and confidence I suspect that Rose, Reah’s best friend, also depends on that rock. Pamela Merrick's character lifts the atmosphere in every scene and she adopts a different approach to help Reah when, despite Keith’s protest, her seemingly outrageous suggestion for trip to Tunisia becomes reality. Her frailty and anxieties become apparent only when events move outside her control.


I sensed that had Naoufal Ousellam’s handsome character Khalid stepped amongst the audience, with his calm, soothing words, his flower basket would soon have emptied. His youthful recognition yet undemanding acceptance of Reah’s condition is exactly what she needs and as she is introduced to his gentle, inherited culture she is able to rid herself of a long forgotten anguish.

Even Keith, crammed with dogma from the horrors of Afghanistan, is humbled by the events and is given a glimpse of a path he might take to understand and love his new mother.

Joana Ferrao’s set is deceptively simple - a wooden ramp that is one moment a hallway in Reah’s home, an airport carousel, a hummock on the edge of the Sahara desert, and in contrast to the calm within the story, the audio-visual effects provide an effective backdrop of war and the turmoil that is Tunisia.

I thoroughly enjoyed this entertaining and thought provoking performance.

Reviewed by: Ron Waters

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