This show is both funny and deep, a traditional morality play wrapped in an ultra-modern package by writer/director Peter Doran.
Packed with oodles of originality, it is set in a hi-tech world. Doran’s clever theme for Torch’s Christmas show is modern wizardry as a game console whisks Huw Bevan’s Danny off to a magical world of virtual reality to fight against evil.
Danny’s lieutenant in the search for Merlin’s – an ethereal George Waring – magic crystal is Agrid, the forgetful Donkey Man. Keith Woodason brings impeccable timing to the comic character.
There is a fine performance by Kyra Williams as the whip-wielding Ice Maiden, whose evil plan threatens the end of Christmas forever. Michael Neary is a great hit as her bullying stooge Beetlebones, performing a wickedly witty Beatles tribute. Louisa Tee is suitably bossy as the do-gooder Crag.
Designer Sean Crowley’s main set of primary colours and strong vertical lines contrasts brilliantly with the luxuriant den of maverick turncoat Grumbletrash, played by Lee Mengo. James Williams’ catchy music had eager youngsters clapping in time to a disco beat before they knew the treat in store.
Once again Torch Theatre illustrates what a bold, imaginative team prepared to look beyond the confines of traditional pantomime can create.
|